She doesn't even know that she's really going to do it, and once she starts, she gets possessed. She just sheds herself of all those social constraints and something takes over. Being confronted by a naked woman-like, this is a woman doing this-and seeing my body, it's really powerful.
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“I felt like the audience almost deserves it at that point, the movie is so constricted. You were either under your father's thumb or your husband's.” On that wild murder scene: She had very little options, like most women of that time. There are so many social constraints on her, her sexuality, her mind. “Other versions of the story have always said, ‘She's such an outcast, a misfit, so cold and detached,’ and I really just wanted to explore her, and humanize her. Plus, it’s entertaining and spooky.” On the side of Borden that hadn’t yet been explored: “I love a gossip tale, and it hit on a lot of things that always interested me: turn of the century New England, tragic love story, a woman fighting for her freedom. A good performance will do that, and this performance is a great one.Roadside Attractions/Saban Films On Lizzie Borden’s story: This is of course in large part thanks to actor - and regular Bong collaborator - Kang-ho Song. And so, despite everything, you find yourself rooting for this very detective, in spite of his often vile behavior. Yet while Bong implements this conventional protagonist, he still manages to layer the character with nuance. In films of that nature often comes an antihero the troubled cop, a loose cannon with outdated methods - a familiar cinematic portrayal.
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The movie harps back to classic film noirs of old, while there are shades of David Fincher in there too. Now this may sound like a deterrent, but it's far from it, as this film offers a rewarding watch to the patient viewer, and a fascinating, albeit candid and pessimistic study of the human psyche. Memories of Murder is an unsettling production with an atmosphere that lingers long after the credits roll. This crime drama from 2003 is one of Korean filmmaker Bong Joon-ho's ( Parasite) most accomplished pieces. People can be seen smoking and drinking throughout the film, and in one sequence a man is so drunk he seems to pass out before waking up and throwing up. The language is strong, with several uses of "f-k" and explicit threats such as "cut your d-k off." The derogatory term "retarded" is also used. In another scene, a man is shown masturbating in a public place, over women's underwear.
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Two characters are seen having sex, but the camera remains behind them and there is no nudity. There is a graphic shot of a man being hit and killed by a train and one man stabs another in the leg during a bar fight.
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The nature of the crimes is openly discussed, and a scene in a morgue includes items being recovered from inside the dead victim's body. Some of the crimes themselves are depicted, including women being gagged and strangled. There are a number of upsetting images of female corpses, sometimes covered in blood. These include forcing statements out of potential suspects with violence and torture, one of whom is disabled. There are few positive messages or role models, with even the detectives - headed up by Detective Park Doo-man ( Kang-ho Song) - who are chasing a violent murderer and rapist, resorting to reprehensible acts.
![murder movie scene murder movie scene](https://i.ytimg.com/vi/FwrndCpwdTA/hqdefault.jpg)
Parents need to know that Memories of Murder is a gripping, but violent Korean crime drama, directed by Bong Joon-ho, with adult themes and images that could potentially upset viewers.
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